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The Princess Bride Coloring Book: the Grandfather and Grandson double-page wip

…aka the Fred Savage/Peter Falk double-page spread.

Sometimes I like mindless projects like stockinette stitch knitting or coloring where the resulting image can look like anything I can imagine.  Other times the challenge of replicating something existing is what thrills me, like Henri’s Pitfall: The Lost Expedition cake that had to look like a scene from the game, or my (full posts still outstanding) Skylanders Sprocket cosplay that had to look like the character from the game.  After a more casual take on the first few pages in the Princess Bride coloring book I was really eager to tackle something detailed and specific, so I was really happy to turn the page and see one of the the Grandfather/Grandson scenes from the movie’s framing device.

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For reference, here’s a still from that scene in the movie:

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Just like with the Kaa/Mowglii page in the Art of Coloring: Disney Villains book, the Sherlock coloring book, the Doctor Who one, and others, I think some of the more photo-realistic pages start with photoshopped stills that are then cleaned up and refined by the artist.  In this case the only real differences between the book and the movie are a different jumble of toys and books on the headboard and the altering of Fred’s jersey, both changes likely due to the trademarks involved like the Bears, the Cheetos, and the He-Man figures, etc.

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I don’t have progress pics from before this point because I was so into the coloring that I forgot.  I’d started with the lamp… for no real reason other than I’d wanted to.  After that I started thinking about how the Inktense pencils behaved: while they’re supposed to be permanent, if not fully activated they’d bleed into the surrounding areas.  So, for example, if I laid down a lot of pigment making his hair dark brown, and missed some stray bits near the outline, that dark color would bleed over into the white headboard/shelves if I got too close with my wet brush (which is why I’m leaving that, among other areas, for last).

I spent waaaaay too long on the bedspread.  Even after choosing the colors I spent more time than necessary figuring out if there was a repeatable pattern I could copy.

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(Go figure I didn’t find THIS pic until I was done that part.  Sigh.)

Once the stripes were done I tossed in a bit of shading, then did the pillows.  Next up was the skin (within which the shadows look a little exaggerated at the moment, but I plan to smooth it out with some colored pencil at the end).

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I broke my own ‘dark colors’ rule in doing the jersey next (it’s the exception that proves it, right?) and then the shadows along the wall/shelves/head board.

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And this is the point I’m at now.  I’ve started tossing some color into the books and comics and toys other odds and ends strewn about.

Oh- I wanted to say something excellent about this book: while it’s not made to hold heavy applications of water, and will definitely never stand up to alcohol markers, I’ve put this page so far through a lot.  After working some areas, like the jersey, it was with a lot of trepidation that I turned back to the page before to check for bleed-through.  The page on the other side of this one is the ownership page, so with only the smaller scollwork/flowers in the center of the page, there is a LOT of blank area for ghosting and bleeding to show through.

There’s none.  Nada.  Zilch.  In fact, I took the pics in my previous post after already coloring this far, so you can see for yourself that there aren’t even traces of ghosting to disrupt the background.  🙂


You can find more coloring-related posts sorted by material or book at the Coloring tab in the header above, or click here for more posts about The Princess Bride Coloring Book.

Other pages from this book so far:

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If interested in any of the items I mentioned in this post, you can check them out below:
The Princess Bride coloring book
Derwent Inktense pencils
  • these are affiliate links.


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Coloring Mowgli and Kaa in The Art of Coloring: Disney Villains with Derwent Inktense Pencils

For my birthday Yannick got me this excellent coloring book called The Art of Coloring: Disney Villains.  I’ve completed a few pages in it so far, as well as have some in progress.  This is one half of a two-page Kaa spread (from The Jungle Book) that I recently finished.

trust-in-me-wip-collageThis is the left-side page, that’s still in progress.  I’d begun coloring it in November with my Inktense in Sun Yellow, Lagoon, and Mallard Green to best match the coloration of Kaa’s hynotic eyes.

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I did all the writing and then got a little bored LOL and moved on to the facing (right-side) page.  While Googling to find the accurate colors for Kaa and Mowgli I found further proof that a lot of the images in the book are based off of stills from the movies themselves, as it is often quite easy to find reference images in nearly the identical scenarios.  Case in point: Kaa’s face above…photo-2016-11-19-12-04-03-am…combined with Mowgli all wrapped up… become the coloring page in the book.

I decided to try something a little different on this side, rather than do the lettering as I had on the other side.  First I colored in the background writing with a really sharp white colored pencil, then I did a light wash of Inktense pigment over those areas.  The wax from the pencil provides a resist, leaving the lettering white, while the background paper picked up the color.  It was a fun experiment to try, and I’m happy with the results… though I wish I’d used a darker color for the background – maybe a magenta or something – to make the white letters really pop, visually.
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After that the coloring was straightforwards.  I colored Mowgli first, and then for Kaa I went in stages, starting from the lightest colors, to the darkest.  I colored all the sections of his underbelly, followed by his back, and then the spots were last.

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The image above is the page after I was done.  Technically.  But I found that it looked rather flat on the page, so I went at it one more time using a darker color for shading everywhere the snake’s coils overlapped.
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It was a fun page to color, from an excellent coloring book.  The entire page was done with Inktense and painted with my waterbrushes and as you can see, it’s not buckled at all.  I do keep the book closed with a binder clip when I’m not coloring to help keep any wet-media pages flat, but even still, the paper is thick enough to support moderate water use.  In fact, from my trials on blank areas in the back of the book, the only spots where I saw bleed-through were with my alcohol markers (of course) and one area where I’d colored with a red Inktense pencil and applied too much water.  I haven’t used much colored pencil in the book, but I have used the Inktense on a number of pages, as well as gel pens and fineliners, and it took them all beautifully.

If interested in either the pencils or book that I’ve talked about in this post, you can check them out here:
Derwent Inktense pencils:
Derwent water brushes 3-pack (sizes 1, 2 and 3):
Art of Coloring: Disney Villains: 100 Images to Inspire Creativity and Relaxation by Disney Editions
  • these are affiliate links.


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Creative Coloring Througout the Year Gratitude Journal

I had an idea the other day that I’d love to share with anyone interested in coloring, journaling or scrapbooking.  It’s something I definitely plan to do over the upcoming year, and I’d be so happy if anyone else made it their habit as well.

One of the gifts I received at our family Christmukkah Day (Christmas/Hanukkah/Birthday) gift exchange this past weekend was this Creative Coloring Throughout the Year 2017 desk calendar.  It’s one of those ‘page-a-day’ type, like the knitting calendar I’ve had a pattern published in in the past.

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The top two-thirds of each page contains lineart to color in, below which is the date and a small lined section for making note of appointments, or birthdays, etc.  The images are detailed enough to have fun with but not too large so as to be daunting at the thought of ‘having’ to complete an entire one per day.  They’re sized perfectly for fineliners or sharpened colored pencils, though I found I was able to use the broader nib of gel pens in mine without too much fuss.

Now, when I first opened it I was initially really tickled at the prospect of a small bit of coloring I could look forwards to daily.  I even thought it might be fun to bring to work, to perhaps have a little something to scratch at with my ballpoint pens during lulls in the day.  Then it hit me- I don’t want to throw out something I’ve spent time and effort creating (and don’t let anyone tell you differently- coloring in is still creating).

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But what could I do with the pages?  Of course, being a crafty person, ‘scrapbooking’ was one of the first ideas that came to mind.  However one insanely expensive all-out scrapbook in the past was enough to convince me I am so not interested in scrapbooking, which my wallet is quite thankful for.  So keeping the pages merely for the sake of keeping them was out, especially since I’m trying to pare down this year, not accumulate more clutter. So I wondered: was there anything I could do to make them useful?

And then it hit me…an idea that’s simple enough for children to do and yet so sweet that I hope others will like and benefit from it as well: a gratitude journal.

The plan is simple.

After I color each day’s page I’m going to use the notes area to jot down something I’m thankful for on that day, or a few things that made me happy.   Then I’m going to glue them down into a scrapbook (in my case the 80-page sketch book from my local Dollarama).

I’m so excited about this.  At the end of the year at worst I’ll have a bunch of pretty pictures to look at and at best I’ll have some great memories to treasure.

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As you can see I’ve only got a few images colored so far, so I’m already behind, but my aim for coloring each day’s lineart is way more therapeutic than technical, so I’m not trying to create any mini masterpieces.  As such I’m planning to get through the outstanding days’ pages as quickly as I can so I can start properly and keep it current.

I would really prefer to have two days per page instead of three as shown above.  With four images per sheet (two on the front, two on the back) the 80 pages the scrapbook holds would only give me the ability to store 320 days…not quite enough for one full year.
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I’ve got more of these books, though, so at some point I plan to swipe the missing pages from another sketch book and ease them into this one so I can have the entire year together.
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Above you can see the days I’ve already colored, and here below is a sneak peek at January 4th.  The others were done using fineliners and gel pens, but this one I’m doing with colored pencils and using varying amounts of pressure to get different shades within the image.  For example, the frog was colored with only one pencil, pressing harder in some spots and lighter in others.  Same for the flower, and I’ll be completing the image the same way.

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As you can see it’s not about the media nor the execution, it’s merely about the process.  The act of putting color to paper while letting your mind wander… letting the day roll off your back and allowing yourself to focus only on the wonderful memories that you want to commit to paper.

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I do hope you liked this idea and if anyone plans to start their own coloring calendar journal please let me know in the comments, I’d love to see it!

pinterest-stack-sited-coloring-page-a-day-gratitude-journal

And here’s the full plan in an image for my fellow Pinners.

If interested in the calendar that I talked about in this post, you can check it out here:
Creative Coloring Throughout the Year 2017 desk calendar
  • these are affiliate links.


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Derwent Inktense ‘before-and-after’ in Kerby Rosanes’ imagimorphia

I haven’t talked about it much but I’m going to be having surgery in about a week.  I’ve actually been off work since mid-August, and this unexpected time at home has given me a lot of time to knit and color, and while I’ve been revisiting old supplies I’ve also been lucky enough to get some new ones.

My watercolor research back in August led me to discover Derwent Inktense and I went on a really long review and YouTube binge, learning everything I could about those amazing ink-pigmented colored pencils.  When my birthday rolled around in September I basically only asked for art supplies, and my parents were wonderful enough to oblige.

01_whale_imagimorphia_gifts

Topping my list was the Inktense set.  I really enjoy the Metallic colored pencils and the Spectrum Noir Sparkle set is just yummy for anyone who likes glitter (um.  yes.  me!  I like glitter!), but in this post I’m focusing on the Inktense which I’ve been using primarily with the waterbrushes I got with them.  I really love this waterbrush set because of the sizes, the tiny #1 tip is perfect for the small areas in coloring books while the larger sizes make doing washes of color or wetting larger areas a breeze.  They’re super easy to fill and I haven’t had a single leak, and I’ve been using them on a regular basis since September.

Now then, on to the Inktense!  I got the full set of 72 colors but they do come in smaller tins, and the pencils are available open-stock so you can definitely get a smaller set and then add to it as you go.

So what are Inktense pencils?  According to their site, “Derwent Inktense pencils are our best watercolour pencil ever! You can use them dry but mix them with water and WOW! the colour turns into vibrant ink.  Once it’s dry the colour is fixed and you can work over the top of it, and, because it permanent it’s great for using on fabric such as silk and cotton!”  They refer to the m as ‘watercolors’ but they’re not, not really.  They’re ink pigments in colored pencil format.  You can use them as pencils and they’re nice, on the darker end of color ranges, but it’s when you add water that they transform completely.  And because they’re ink once they’re dry they’re permanent.

What does this mean for coloring and how does this compare to a watercolor pencil?  Let’s say you wanted to color a pink sphere, and you wanted to block in the rounded shading first, then go over it with a wash of pink, leaving a highlight area.  With watercolors the paint reactivates any time it gets wet.  So even if you let the gray shading dry, once you washed pink over top the gray would bleed out and muddy the pink and if you’re not careful you can make a real mess of your work.  Inktense are permanent when dry so you can block in your shadows, wet the pencil strokes and fill your darker areas, and then once that’s dry you can go over it with even the lightest shades and the gray won’t budge.  This is a horrible way of explaining that you can go overtop of previous layers without affecting them.

Of course the first thing I did when I got my set was to swatch out the colors so I could see what I’d be working with.

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Above are the pencils when dry.  The appear quite dark, and there are a lot of greens and browns for those who enjoy coloring books such as Secret Garden and other floral-heavy books.  The pencils apply well and it’s very easy to get a lot of color down.  Each pencils is marked with it’s color number and name, making it very easy to identify which one I’ve used…which is helpful because the colors on the ends of the barrels aren’t quite identical to the actual color of the pencil itself.

Okay, so they’re nice when dry.  The real magic, however, happens when they are activated.

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This image barely shows the bright vibrancy of these colors in real life.  The pigments activate instantly with water, and I could have used the lightest of strokes and still had the same color payout as I got here.  I was blown away by my swatches and as soon as I’d added them to my swatch book I had to get started on a coloring page.

I’ve been watching a lot of YouTube coloring tutorials featuring Inktense pencils (PetaDede, Lindsay and Lisa are four of my favorites) and I know that the pencils are typically used in wet-as-you-go manner, coloring a section and then activating it, and so on.  However, making the swatches was so satisfying in a “wait til the end” surprise payoff, that I just had to try coloring an image that way: coloring the whole thing, and then activating the ink at the end to see the before and after.

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After testing the paper in the back of the book to make sure it would be safe to use (no bleed-through) I chose this image from Kerby Rosanes’ imagimorphia.

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I’ve been having a lot of tummy time (lol) and this is how I’d set myself up in bed.  A clipboard helped keep the book open as well as gave me a flat, hard surface to work on.  I had a sheet of card stock underneath this page to protect the ones beneath, and I had my swatch book open in front of me so I could accurately choose my colors.  My laptop was off to the right playing episode after episode of Welcome to Nightvale (soooooo weird and awesome) and the tin of colors was on my left within easy reach.  Finally, my flip-top Ott-Light was balanced on the bed casting accurate light over the picture for me, since lighting in my house is crappy at best.03_whale_imagimorphia_inktense_before_wet

This is my completed painting before activating the Inktense inks.  I colored pretty lightly, wanting to see how the pigments did on their own before adding any shading or depth.  (PS yes I know that’s supposed to be a whale and whales aren’t green LOL) Coloring with these pencils is like a dream.  They apply color beautifully even to paper that doesn’t have a lot of tooth.  It is really easy to apply just a hint of color without any pressure on the pencil, which is a good thing because it means you won’t have to waste a lot of the pencil just to get a good color payout.  In fact, these colors are so vibrant and juicy when activated that if anything, it’s almost too easy to add TOO MUCH color.

(For example, my son Jakob is addicted to these pencils too and is coloring an image in one of his books.  I was showing him how subtle applications of color give pastel-pale results and he tried it out for himself.  His three light strokes of Payne’s Gray, applying barely any pressure, provided enough color when activated to light wash a bunny butt around 3″ in diameter.)

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I took this image right when I’d started activating the inks.  I went slowly, enjoying watching the colors blossom into vibrant paint.  (Seriously, it’s addictive).  I activated each like section at a time, brushing off any excess pigment onto a paper towel to keep the tip of my water brush clean.  In this image you can begin to see the difference between the activated (water-applied) and pencil-only sections.  The orange and yellow fish on the right is still pencil, while there has been water applied to the one on the left.  The little fairy creatures have been wetted on both sides.  What really shows off some of the color payout, however, is the school of fish that crosses the tentacle.  You can see how little color I’d applied, versus how much blooms from the watered inks.

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And here is the completed painting.  I didn’t use very many colors, but even still the brightness and depth these inks have is amazing.  This picture is so much brighter and deeper in real life, showing subtle shading and contouring just from the way the ink moved like paint.  It dries faster than watercolor so you do have to go in sections and work quickly if you want to activate a larger area without dry lines showing, but there’s still a decent amount of time to move the paint around before it dries, allowing for things like the softer blues in the water froth being ink I’d swiped from the water sections.

I’ve very quickly developed an Inktense addiction, as have my kids, who have been getting to use Mommy’s special art supplies now that they’re a little older.  They don’t replace watercolors if that’s the type of medium you want, rather they’re a medium of their own, and are absolutely gorgeous to use.

06_whale_imagimorphia_inktense_before_and_after

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If interested in anything that I’ve talked about in this post, you can check them out here:
Ott-Light Task Lamp
Derwent Inktense colored pencils:
Kerby Rosanes’ imagimorphia:
Derwent 3-pc Waterbrush set
  • these are affiliate links.


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Can Marco Raffiné colored pencils be used as watercolors?

Can Marco Raffiné colored pencils be used as watercolors?

Yes.

No.

Maybe?

When I was playing around with my Caran D’Ache Neocolor II watercolor crayons I had my Raffinés next to me, as I’d just been working on the Egypt picture in the same imagimorphia coloring book.  I’d done a lot of research on them before purchasing, and one thing that had come up in people’s comments were how some of them had been able to use them as watercolors, though not everyone had that luck.  The Raffinés are oil-based colored pencils, not wax-based like Crayola and Prismacolor and most others, so they do color and shade and grip the tooth of the paper in a different way, but were they really so different that they could dissolve in water enough to be used as paint?

Let’s find out.

This is the page in the back of the book right before the hidden objects are pointed out.  I colored a bit of it with the pencils then used the same small brush and water pot as I used for the Neostyle IIs.

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Here’s a before-and-after closeup of the lower section of the page.marco raffine 02

The top image is the dry coloring, and the lower image is after I’d applied water.  At first I was happily startled to see that it did appear to work!  I had to double check the ‘before’ pic on my phone to be sure, but seeing them side by side it’s hard to deny that there’s a clear difference between the two.  The light pencil strokes in the worm (?) have blended outwards, as well as in the pink flower on the left and the green leaf in the background.  The orange puff ball looks exactly like a watercolor had painted it, and even the browns in the fox (?) and mushroom are more evened and fluid.

marco raffine 02 back

I immediately checked the back of the page even though I wasn’t really concerned with bleed-through, but sure-enough there was none.

So if I think it sort of worked, why am I hesitant to say that outright?  Because while the colors did wetten and spread, once dried the strokes were still visible and retained the soft look of the oil-based pencils.  It’s hard to explain but it sort of looks like I’d done a light wash of watercolors over or under the pencils, as they’re both visible.

Since it was hard to compare the ‘after’ with the small image on my phone, I decided to do a definitive comparison test in the book itself.

The first image below (top left) is my initial coloring of the royal penguin on a skateboard.  I drew a line down the center to keep the division clear and then colored both sides with the Raffinés.  Then I wetted the left side only.  Did the pigment become a wash of color? Yes… there is a visible difference in the two sides, with the left side looking more even and ‘full’.  But I still wanted to see a bit more.

In the top right image I added a few more test things to try out.  On both sides I put a light shading of red and blue to see if it would be possible to blend them once wet, and I also drew a quick leaf and colored it with some light and dark shades to see if I could get blending on that.  Basically I was trying to mimic effects one would be trying to achieve in a coloring book or drawing.  marco raffine 03

The bottom right image is right after I wetted the left side.  I did my best to blend the red and blue together, as well as the colors in the leaf.  Those items are still wet, but the penguin is already begun to dry and look a little different from when wet – a touch less blended and spread, and a bit more colored-pencil-y (if that makes any sense at all).

Finally the bottom right image is after everything had dried, for a full comparison.  I’ve included a solo pic of that image here, so it can be viewed larger:

marco raffine 04

So.  Do we really have “All the Answers”?  Did the blue and red blend?  Not really.  There was a bit of pigment bleed spreading the colors to one another, but no real blending of the two to become purple.  What they did do, was soften alongside each other.  In fact, that seems to be what all the colors did.  The pigments spread slightly, giving a bit more color to the background of the pencil strokes and softening the overall look of the colored image.  In real life the coloring looks very dry, almost pastel-y, and the pencil strokes are visible over the softened backgrounds.

I think the final answer is that they DO spread somewhat with water, but not completely nor efficiently to claim they would be an inexpensive comparable to true watercolor pencils.  What they DO do, is soften the pencil look.  I think they would be great used with stamps for cardmaking, where one can lightly shade the image then soften the pencil colors.  In knitting there’s a term called ‘fulling‘, where the yarn is plumped up and thickened while still retaining some stitch integrity (unlike complete felting), and that’s how I feel about adding water to these pencils; when wettened the color plumps and fills its space while still retaining the original lines and strokes.

TLDR: Do they watercolor?  No.  Does applying water slightly bleed and soften the colored pencils for a unique, almost delicate look?  Yes.

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If interested in either the colored pencils or book that I’ve talked about in this post, you can check them out here:
Marco Raffiné oil-based colored pencils:
Kerby Rosanes’ imagimorphia:
  • these are affiliate links.


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Playing with Caran D’Ache Neocolor II watercolor crayons in Kerby Rosanes’ imagimorphia

I’d been researching watercolor pencils a little while ago, and while reading review sites I came across a few mentions of the Caran D’Ache Neocolor II watercolor crayons.  They looked interesting and were lauded for their bright, vibrant colors and creamy texture, so I made a note to look up more reviews.  In the meantime, I remembered that at some point during my creative history I’d owned a set of, what my memory told me, were kid’s-quality twist-up watercolor pencils.  I could picture the set, and knew there was only one place in my home-office they could be, so one morning I went downstairs and took a look.

I found the twist-up colored pencils right away… and was disappointed to see they were just that- colored pencils.  Nothing water-soluble about them.  It was frustrating to have been mistaken but I figured I’d just continue my research… and then I peeked through the rest of the drawer just to see what other drawing supplies I’d collected over the years and had forgotten about.

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What a discovery!  I think I squee’d out loud when I saw the white edge of the tin under an old pencil case of charcoal and blending stumps.  Not only had I forgotten I owned these but clearly I’d barely ever used them when I got them, because they were all still full-sized and touching the sponge strip running the top of the case.

Immediately I brought them upstairs to try out.  I’d been stuck in bed, resting my legs due to a really bad bout of sciatica, so I put together a little portable watercolor kit that I could use in bed without making a huge mess: a tiny tupperware of water, a fine-tipped paintbrush, and a folded handtowel for blotting and cleaning my brush, all contained within another small tupperware that I could close up and store with my craft supplies.neocolor 11

I made pages for them to add to my swatch book.  I didn’t want to use water in that pad itself because the paper is so thin, so I folded a sheet of cardstock in half and tore it into two papers that each fit on my swatch book’s pages.  I scribbled a little bit of each color onto the paper and then activated each with a tiny bit of water.  These colors are so rich and the crayons dissolve so easily that a SUPER tiny amount of water is all that is needed.neocolor 12

After the swatches dried I labeled them with the color names from the Caran D’Ache site and then used a glue stick to affix them into the swatch book.  Now- onto the coloring!

My first test was the inside cover page of Kerby Rosanes’ imagimorphia, which I have been loving lately.  I colored the page pretty quickly, not bothering to fully fill in all areas (like the cut area of the tree, for example) because I knew once wetted, the color would spread.  I did some minimal color mixing and shading on the leaves, deer and dino, all using the crayons as crayons to color.  Sadly they’re old enough that they became fragile, and two colors broke in half as I worked.  They’re still usable, but I was disappointed.  More evidence of their age is the (removable) white bloom on some of the darker colors, as well as how the lightest brown dried out to the point of looking like a Flake chocolate bar inside its wrapper.  😦

neocolor 02

The crayons applied color wonderfully but, as to be expected of crayons, they didn’t have points sharp enough to work into the fine areas of the image.  I was able to use the edges of the points to get into fine spots like the rays’ tails and such, but I didn’t bother trying to color the butterflies, knowing I’d just make a mess.  In some areas, like the pom-pom-looking little dudes, I only colored the center, planning to move the color outwards later, once I activated the paint.neocolor 03

The very first spot I activated were the clouds in this image.  I set a sheet of cardstock behind the page to protect it from any bleed-through or water damage, but it really took such a tiny amount of water that I doubted there would be any actual problems on the reverse-side pages.

neocolor 04

You can see in this enlargement of the lower edge what the clouds looked like before the water was applied, as well as the rough, uneven coloring job I did.  I’d cringe, except it was deliberate.  After seeing how vibrant the colors were and how much they spread, I didn’t want to waste any of the crayon filling in any more densely.

neocolor 05

This is the final result.  I can’t get over the difference, and how smooth and rich the colors turned out!  I did manage to achieve some subtle shading and depth to the colors, and if I’d wanted to color over-top and re-wet I’m sure I could get even more effects.  The largest difference for me is in the tree, the deer and the dino, but I’m charmed by all of it.neocolor 05 back

I was super-pleased (but not surprised) to see that there was NO bleed-through on the other side of the page.  This means I can use these crayons throughout the book without worry, which makes me really happy.neocolor 06

Here’s a side-by-side to really compare the before and after images.  Besides blending out the patchy scribbles, the colors (which were pretty vibrant before) didn’t fade out and some became even brighter.  They blended beautifully and dried really quickly, but not too fast that I couldn’t move around soft watercolor washes.neocolor 07

For the facing page (above) I decided to try using the crayons in a different fashion, as if they were individual little sticks of paint.

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I wetted the brush, blotted most of the water off, and then dabbed it against the tip of the crayon, picking up some color, which I then applied to the image as paint, just as if I’d picked the color up from a palette.  You can see some of the peach on the tip of my brush, as well as on the face and hands of the little girl I’d just painted.

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This is the finished image after painting.  In contrast to the side where I colored first, I think this side has a softer, almost dreamier application.  However it is slower to keep re-dabbing the brush to the crayon, and it makes mixing colors more difficult as the paint dries much faster when using this method.  I greatly recommend it for areas where you need more control or a finer application than you’d get with the stubby crayon.

This method also made me realize that my broken crayons were not a loss, nor was my flakey, dried-out tan.  I can put a small piece of the color in one of my palette wells and activate it to use as paint, meaning that no part of these (expensive!) crayons will ever be wasted.  🙂

neocolor 10 back

Here’s the back, showing again that there was no bleed-through or ghosting.

I’m really glad I found these crayons in my stash, and I can’t wait to play around with them more in this and other books.  The colors are incredible and they activate so easily and beautifully, I really recommend them.  Mine have broken and dried out, but they are also over 15 years old (!!!) and still work as well as if they were brand new.  I would wholeheartedly recommend these.

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If interested in either the crayons or book that I’ve talked about in this post, you can check them out here:
Caran d’Ache Neocolor II watersoluble crayons:
Kerby Rosanes’ imagimorphia:
  • these are affiliate links.


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Coloring with BIC Mark-It Markers

The more coloring I did, the more I wanted to do.  I began looking for better supplies and looking up better techniques.  It is impossible to be interested in ‘coloring’ and not somehow, somewhere come across Copic markers.  For the uninitiated, Copics are alcohol markers, one of, if not THE premium brand, and are vastly loved by artists everywhere.

They’re also expensive as hell.

When I’d first heard of them, a few years ago, I immediately discounted them.  I had no use for new art supplies that weren’t integral to my passions at the time, and that kind of investment just didn’t seem worth it.  Lately, though… something was drawing me to them.  Maybe I’d outgrown Crayolas, finally, or maybe it was the appeal of being able to blend and achieve digital-art-style results with something I could control by hand.  I started finding reasons to justify them- I’d do more drawing, and finally open an Etsy shop… and they’re refillable, so over time the cost works itself out… and I’m an adult, and could treat myself to professional, adult supplies…

I was in.  Hanukkah was coming up and the ONLY thing I put on my wish list was a gift certificate to Curry’s Art in Ontario, the place I’d found with the best prices for Canadians.  The markers I wanted, Copic Sketch markers, are available locally at $8 CAD each.  The cheapest US price I could find online is $5.35 but any free shipping deals were US only, and there would still be a cost conversion, and the exchange rate these days is insane, so I ruled that out.  Curry’s has them for $6.50 each, and free shipping within Canada if you spend $75.  Perfect!  (Note: I found out about Curry’s by watching Baylee Jae’s videos on YouTube, thanks Baylee!)

Knowing I had some time to wait until we had our family gift exchange and I (hopefully) got what I’d asked for, I looked further, exploring more tips and techniques.  Along the way I found a number of videos and blog posts mentioning BIC Mark-Its as inexpensive alcohol marker alternatives, stating they could also be blended, had better colors than Sharpies, and worked with Copic or other brands’ blending markers.

All my Sharpies were old and dried anyways, so I ordered myself 2 sets of BICs, the 36-pack fine (Can link, US link) and the 36-pack of ultra fine (Can link, US link).

When they arrived I sat down with the boys one Saturday morning and we did some coloring together.  They’d been watching me color lately and a few times I’d given them a ‘treat’ and let them use ‘Mommy’s good markers’.  They love my colored fineliners and both were in awe of the stained glass coloring pages, so I let them pick their favorite pages to color for themselves.  When I was ready to test the BICs I printed off some characters from one of our new favorite shows, Bravest Warriors, and we all colored together, with me allowing the kids to use the BICs as long as they were responsible with them.

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Jakob went for speed, coloring the characters carefully, but quickly, and getting distracted here and there by the tv that was on in the background.

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Henri did the opposite.  He took his time, trying to color-match as carefully as he could to the original characters.  He was SO thorough, in fact, that he drew in his favorite missing character – JellyKid (complete with toast!) and even added Pixel to Wallow’s glove!
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I didn’t have anything in mind when I colored mine except to enjoy the markers, the lovely colors, and the flow of the ink.  I didn’t attempt any blending or ‘Copic-like’ techniques, just colored and chatted with my boys.

Okay well maybe I did a teensy bit of shading… if you look carefully at Plum there’s some blue shading under her hairline and skirt.  But that’s it.

I loved the BICs and I am thrilled that they’re part of my stash- uh I mean my perfectly adult and mature collection of art supplies.  But my FAVORITE part of coloring with them was discovered after I was done.

The BICs, just like Copics and other alcohol markers, bleed through most papers.  Alcohol markers are designed to saturate the paper to get even blending and streak-less coloring.  With water-based markers like Crayolas, coloring hard over one section will leave blotchy, uneven patches of bled color.  With these, however…
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The bleed-through is so lovely!  It looks like a watercolor illustration!  I’m fascinated by how pretty the backside of this coloring looks and can think of so many ideas for deliberate reverse drawings, coloring one side while intending the back to be the later ‘front’.Photo 2015-12-19, 12 29 58 PM

Not that, but I was completely charmed by my discovery on the paper I was using to absorb the bleed-through.  It looks like pointilism!  Probably not really good for anything, technique-wise, but I like how it looks regardless.  🙂